{"id":1431,"date":"2024-09-11T17:22:07","date_gmt":"2024-09-11T17:22:07","guid":{"rendered":"https:\/\/vatican-museums.com\/?p=1431"},"modified":"2026-04-09T11:48:22","modified_gmt":"2026-04-09T11:48:22","slug":"tesori-pontifici-soukrome-sbirky-ktere-formovaly-vatikanska-muzea","status":"publish","type":"post","link":"https:\/\/vatican-museums.com\/cs\/travel-tips\/tesori-pontifici-the-private-collections-that-shaped-the-vatican-museums\/","title":{"rendered":"Tesori Pontifici: Soukrom\u00e9 sb\u00edrky, kter\u00e9 formovaly Vatik\u00e1nsk\u00e1 muzea"},"content":{"rendered":"

P\u0159\u00edb\u011bh Soukrom\u00e9 sb\u00edrky Vatik\u00e1nsk\u00e1 muzea<\/strong> v\u016fbec neza\u010d\u00edn\u00e1 jako p\u0159\u00edb\u011bh ve\u0159ejn\u00e9ho muzea. Za\u010d\u00edn\u00e1 za zdmi, v pape\u017esk\u00fdch apartm\u00e1nech, zahrad\u00e1ch, pal\u00e1c\u00edch a uzav\u0159en\u00fdch dvorech, kde generace pape\u017e\u016f shroma\u017e\u010fovaly um\u011bleck\u00e1 d\u00edla nejen pro kr\u00e1su, ale i pro autoritu, vzd\u011blanost, diplomacii a zbo\u017enost. Ne\u017e se Vatik\u00e1nsk\u00e1 muzea stala jednou z nejnav\u0161t\u011bvovan\u011bj\u0161\u00edch kulturn\u00edch instituc\u00ed na sv\u011bt\u011b, formovala je hluboce osobn\u00ed rozhodnut\u00ed pape\u017e\u016f. Byly to sb\u00edrky utv\u00e1\u0159en\u00e9 v soukrom\u00ed, roz\u0161i\u0159ovan\u00e9 d\u00edky vkusu, ambic\u00edm, politice a duchovn\u00ed vizi. Nebyly sestavov\u00e1ny podle modern\u00ed muzejn\u00ed logiky. Byly sestaveny tak, aby vyjad\u0159ovaly presti\u017e, kontinuitu a univerz\u00e1ln\u00ed dosah c\u00edrkve.<\/p>\n

Tento soukrom\u00fd p\u016fvod dodnes ur\u010duje charakter muze\u00ed. Na rozd\u00edl od mnoha n\u00e1rodn\u00edch muze\u00ed budovan\u00fdch na z\u00e1klad\u011b ob\u010dansk\u00e9 identity vznikly vatik\u00e1nsk\u00e9 sb\u00edrky selektivn\u00edm pohledem jednotliv\u00fdch pontifik\u016f a jejich poradc\u016f. Ka\u017ed\u00e1 akvizice, zak\u00e1zka, z\u00e1chrana nebo vystaven\u00ed odr\u00e1\u017eely p\u0159edstavu o tom, co cht\u011bl pape\u017esk\u00fd dv\u016fr uchovat a prezentovat. Antick\u00e9 sochy st\u00e1ly vedle mistrovsk\u00fdch k\u0159es\u0165ansk\u00fdch d\u011bl, mapy vedle gobel\u00edn\u016f, archeologick\u00e9 n\u00e1lezy vedle zbo\u017en\u00e9ho mal\u00ed\u0159stv\u00ed. To, co se dnes m\u016f\u017ee zd\u00e1t jako rozs\u00e1hl\u00e1 a ucelen\u00e1 instituce, bylo ve skute\u010dnosti vytv\u00e1\u0159eno kousek po kousku mu\u017ei, kte\u0159\u00ed ch\u00e1pali um\u011bn\u00ed jako d\u011bdictv\u00ed i n\u00e1stroj.<\/p>\n

Slovn\u00ed spojen\u00ed \u201cTesori Pontifici\u201d (pape\u017esk\u00e9 poklady) dokonale vystihuje tuto mnohovrstevnatou historii. Tato d\u00edla byla poklady v prav\u00e9m slova smyslu, ale byla tak\u00e9 symbolem intelektu\u00e1ln\u00edho spr\u00e1vcovstv\u00ed. Sb\u00edrat znamenalo spravovat pam\u011b\u0165. Uchov\u00e1vat antick\u00e9 pam\u00e1tky znamenalo n\u00e1rokovat si spojen\u00ed s \u0158\u00edm<\/strong>, imp\u00e9rium a civilizace jako takov\u00e1. Sponzorovat velk\u00e9 mal\u00ed\u0159e a architekty znamenalo potvrdit, \u017ee c\u00edrkev nen\u00ed jen str\u00e1\u017ekyn\u00ed v\u00edry, ale tak\u00e9 str\u00e1\u017ekyn\u00ed kr\u00e1sy a pozn\u00e1n\u00ed. Vatik\u00e1nsk\u00e1 muzea vyrostla z tohoto p\u0159esv\u011bd\u010den\u00ed, a proto jejich sb\u00edrky p\u016fsob\u00ed i dnes tak osobit\u011b.<\/p>\n

Jak soukrom\u00e9 vatik\u00e1nsk\u00e9 sb\u00edrky vybudovaly univerz\u00e1ln\u00ed muzeum<\/h2>\n

Jedn\u00edm z rozhoduj\u00edc\u00edch moment\u016f v t\u00e9to historii bylo znovuobjeven\u00ed a vystaven\u00ed slavn\u00e9ho klasick\u00e9ho socha\u0159stv\u00ed. Kdy\u017e se Laoco\u00f6n<\/strong> byla objevena na po\u010d\u00e1tku 16. stolet\u00ed a p\u0159ed\u00e1na do pape\u017esk\u00e9ho vlastnictv\u00ed, byla v\u00edce ne\u017e slavnou archeologickou ud\u00e1lost\u00ed. Stalo se z n\u011bj prohl\u00e1\u0161en\u00ed. Um\u00edst\u011bn\u00edm takov\u00e9ho d\u00edla do ob\u011b\u017en\u00e9 dr\u00e1hy pape\u017esk\u00e9ho dvora dal Vatik\u00e1n najevo, \u017ee d\u011bdictv\u00ed antiky nep\u0159enech\u00e1 kn\u00ed\u017eat\u016fm, u\u010denc\u016fm nebo sb\u011bratel\u016fm jinde. Stal by se \u00fast\u0159edn\u00edm str\u00e1\u017ecem antick\u00e9ho sv\u011bta. Emocion\u00e1ln\u00ed s\u00edla sochy, jej\u00ed technick\u00e1 brilance a bezprost\u0159edn\u00ed vliv na renesan\u010dn\u00ed um\u011blce z n\u00ed u\u010dinily ide\u00e1ln\u00ed symbol t\u00e9to ambice.<\/p>\n

V\u00fdvoj N\u00e1dvo\u0159\u00ed Belvedere<\/strong> tuto vizi pos\u00edlil. Stal se jedn\u00edm z prvn\u00edch a nejvlivn\u011bj\u0161\u00edch prostor\u016f, kde se klasick\u00e9 socha\u0159stv\u00ed vystavovalo nejen jako dekorace, ale jako kulturn\u00ed program. Vybran\u00e1 d\u00edla zde byla uspo\u0159\u00e1d\u00e1na v prost\u0159ed\u00ed, kter\u00e9 vyb\u00edzelo k obdivu, studiu a srovn\u00e1v\u00e1n\u00ed. A\u010dkoli byly tyto prostory v mnoha ohledech st\u00e1le soukrom\u00e9, p\u0159edj\u00edmaly modern\u00ed muzeum t\u00edm, \u017ee sb\u00edrku prom\u011bnily v kur\u00e1torskou expozici. Pape\u017estv\u00ed ji\u017e neshroma\u017e\u010fovalo pouze p\u0159edm\u011bty. Vytv\u00e1\u0159elo vypr\u00e1v\u011bn\u00ed o civilizaci, vkusu a kontinuit\u011b, v jeho\u017e centru st\u00e1lo samo.<\/p>\n

Tento p\u0159\u00edstup pokra\u010doval i za pozd\u011bj\u0161\u00edch pape\u017e\u016f, kte\u0159\u00ed roz\u0161i\u0159ovali sb\u00edrky prost\u0159ednictv\u00edm vykop\u00e1vek, n\u00e1kup\u016f, mecen\u00e1\u0161stv\u00ed a diplomacie. Vatik\u00e1nsk\u00e9 sb\u00edrky nevznikly v jednom z\u00e1chvatu nad\u0161en\u00ed, ale d\u00edky soustavn\u00fdm z\u00e1sah\u016fm. Um\u011bn\u00ed se dostalo do pape\u017esk\u00e9 sf\u00e9ry, proto\u017ee bylo objeveno v zemi, nab\u00eddnuto jako pocta, objedn\u00e1no pro posv\u00e1tn\u00e9 \u00fa\u010dely nebo uzn\u00e1no za p\u0159\u00edli\u0161 d\u016fle\u017eit\u00e9, ne\u017e aby se ztratilo. V\u00fdsledkem byla sb\u00edrka, kter\u00e1 odr\u00e1\u017eela nejen um\u011bleck\u00e9ho g\u00e9nia, ale tak\u00e9 mechanismy moci. Vatik\u00e1nsk\u00e1 muzea jsou proto stejn\u011b tak d\u011bjinami v\u00fdb\u011bru jako d\u011bjinami tvorby.<\/p>\n

\u00dadaj jako nap\u0159. Julius II<\/strong> je v tomto p\u0159\u00edb\u011bhu kl\u00ed\u010dov\u00fd, proto\u017ee ch\u00e1pal um\u011bn\u00ed jako prodlou\u017een\u00ed pape\u017esk\u00e9 autority. Jeho mecen\u00e1\u0161stv\u00ed pomohlo etablovat Vatik\u00e1n jako um\u011bleckou metropoli a jeho sb\u011bratelsk\u00e9 instinkty daly impuls k p\u0159em\u011bn\u011b soukrom\u00e9ho vlastnictv\u00ed v institucion\u00e1ln\u00ed presti\u017e. To neznamenalo okam\u017eit\u00e9 zp\u0159\u00edstupn\u011bn\u00ed v\u0161eho ve\u0159ejnosti v modern\u00edm demokratick\u00e9m smyslu, ale znamenalo to p\u0159edstavit si pape\u017eskou sb\u00edrku jako n\u011bco v\u011bt\u0161\u00edho ne\u017e dom\u00e1c\u00ed klenotnici. Pape\u017esk\u00fd dv\u016fr se za\u010dal pova\u017eovat za zodpov\u011bdn\u00e9ho za uchov\u00e1v\u00e1n\u00ed a prezentaci d\u011bl, kter\u00e1 m\u011bla v\u00fdznam p\u0159esahuj\u00edc\u00ed r\u00e1mec jednoho \u017eivota nebo vl\u00e1dy.<\/p>\n

Stejn\u00fd impuls vedl k vytvo\u0159en\u00ed muze\u00ed v\u011bnovan\u00fdch r\u016fzn\u00fdm civilizac\u00edm a um\u011bleck\u00fdm tradic\u00edm. R\u016fst Muzeum Pio-Clementino<\/strong> odhalil, jak se soukrom\u00e9 pape\u017esk\u00e9 sb\u011bratelstv\u00ed vyvinulo v organizovan\u011bj\u0161\u00ed formy vystavov\u00e1n\u00ed. Sochy ji\u017e nebyly cen\u011bny pouze jako jednotliv\u00e9 skvosty. Byly uspo\u0159\u00e1d\u00e1ny do \u0161ir\u0161\u00edch rozhovor\u016f o stylu, antice, mytologii a ide\u00e1ln\u00ed lidsk\u00e9 podob\u011b. To znamenalo zlom, proto\u017ee to nazna\u010dovalo, \u017ee vatik\u00e1nsk\u00e9 sb\u00edrky mohou vzd\u011bl\u00e1vat i ohromovat. Muzeum se stalo m\u00edstem, kde lze prost\u0159ednictv\u00edm p\u0159\u00edstupu k pe\u010dliv\u011b shrom\u00e1\u017ed\u011bn\u00fdm poklad\u016fm kultivovat um\u011bleck\u00e9 a historick\u00e9 porozum\u011bn\u00ed.<\/p>\n

Pro\u010d pape\u017esk\u00e9 poklady st\u00e1le ur\u010duj\u00ed z\u00e1\u017eitek z Vatik\u00e1nu?<\/h3>\n

Tyto sb\u00edrky jsou dnes tak p\u0159ita\u017eliv\u00e9 proto, \u017ee v nich st\u00e1le z\u016fst\u00e1vaj\u00ed stopy p\u016fvodn\u00edho soukrom\u00e9ho \u017eivota. Vatik\u00e1nsk\u00e1 muzea nep\u016fsob\u00ed jako neutr\u00e1ln\u00ed galerie v b\u00edl\u00fdch krabic\u00edch. P\u016fsob\u00ed mnohovrstevnat\u011b, slavnostn\u011b a jsou hluboce spjata s prost\u0159ed\u00edm, kter\u00e9 je vytvo\u0159ilo. Freskov\u00e9 stropy, zdoben\u00e9 chodby, pape\u017esk\u00e9 insignie a architektonick\u00e9 p\u0159echody p\u0159ipom\u00ednaj\u00ed n\u00e1v\u0161t\u011bvn\u00edk\u016fm, \u017ee tato d\u00edla byla shrom\u00e1\u017ed\u011bna ve sv\u011bt\u011b, kde se sb\u011bratelstv\u00ed prol\u00ednalo s ritu\u00e1ly a vl\u00e1dou. Samotn\u00e9 prost\u0159ed\u00ed vypr\u00e1v\u00ed \u010d\u00e1st p\u0159\u00edb\u011bhu. Nejde jen o pouh\u00e9 prohl\u00ed\u017een\u00ed um\u011bn\u00ed, ale o vstup do historick\u00e9 p\u0159edstavivosti pape\u017estv\u00ed.<\/p>\n

Soukrom\u00e9 sb\u00edrky tak\u00e9 vysv\u011btluj\u00ed pozoruhodnou \u0161\u00ed\u0159i Vatik\u00e1nsk\u00fdch muze\u00ed. N\u00e1v\u0161t\u011bvn\u00edk se m\u016f\u017ee pohybovat od antick\u00e9ho mramoru ke k\u0159es\u0165ansk\u00e9 ikonografii, od kartografick\u00fdch z\u00e1zrak\u016f k bohat\u011b tkan\u00fdm tapiseri\u00edm, od renesan\u010dn\u00edch fresek k egyptsk\u00fdm a etrusk\u00fdm staro\u017eitnostem. Tato rozmanitost se m\u016f\u017ee zd\u00e1t a\u017e p\u0159ekvapiv\u00e1, dokud nepochop\u00edme logiku sb\u011bratelstv\u00ed, kter\u00e1 za n\u00ed stoj\u00ed. Pape\u017estv\u00ed nevybudovalo muzeum na z\u00e1klad\u011b jedin\u00e9 kategorie. Vybudovalo civiliza\u010dn\u00ed pokladnici. Shrom\u00e1\u017ed\u011bn\u00edm p\u0159edm\u011bt\u016f z r\u016fzn\u00fdch epoch a kultur se Vatik\u00e1n prezentoval jako str\u00e1\u017ece univerz\u00e1ln\u00edho d\u011bdictv\u00ed, nikoli pouze jako mecen\u00e1\u0161 jednoho obdob\u00ed nebo stylu.<\/p>\n

\u00daloha Raphael<\/strong> a Michelangelo<\/strong> je v tomto kontextu tak\u00e9 jasn\u011bj\u0161\u00ed. Jejich mistrovsk\u00e1 d\u00edla nebyla ojedin\u011bl\u00fdmi zak\u00e1zkami vhozen\u00fdmi do jinak n\u00e1hodn\u00e9ho prost\u0159ed\u00ed. Byly sou\u010d\u00e1st\u00ed \u0161ir\u0161\u00ed pape\u017esk\u00e9 strategie, jej\u00edm\u017e c\u00edlem bylo definovat Vatik\u00e1n jako vrcholnou sc\u00e9nu um\u011bleck\u00fdch \u00fasp\u011bch\u016f. Slavn\u00e9 freskov\u00e9 cykly a monument\u00e1ln\u00ed projekty, kter\u00e9 dnes n\u00e1v\u0161t\u011bvn\u00edci obdivuj\u00ed, byly formov\u00e1ny stejnou sb\u011bratelskou kulturou, kter\u00e1 si cenila antick\u00fdch soch a vz\u00e1cn\u00fdch p\u0159edm\u011bt\u016f. Ve Vatik\u00e1nu se mecen\u00e1\u0161stv\u00ed a sb\u011bratelstv\u00ed vz\u00e1jemn\u011b podporovaly. Presti\u017e pape\u017estv\u00ed p\u0159itahovala um\u011bleck\u00e9 g\u00e9nie a p\u0159\u00edtomnost g\u00e9ni\u016f d\u00e1le povzn\u00e1\u0161ela sb\u00edrky.<\/p>\n

Dal\u0161\u00edm kl\u00ed\u010dov\u00fdm rozm\u011brem t\u011bchto pape\u017esk\u00fdch poklad\u016f je zbo\u017enost. Um\u011bn\u00ed pro pape\u017ee neznamenalo jen kr\u00e1su nebo historickou kuriozitu. \u0160lo tak\u00e9 o teologii, pam\u011b\u0165 a viditeln\u00fd jazyk v\u00edry. Obrazy, relikvi\u00e1\u0159e, liturgick\u00e9 p\u0159edm\u011bty a posv\u00e1tn\u00e9 prostory byly sb\u00edr\u00e1ny a objedn\u00e1v\u00e1ny, proto\u017ee d\u00e1valy materi\u00e1ln\u00ed podobu duchovn\u00edm my\u0161lenk\u00e1m. Dokonce i d\u00edla, kter\u00e1 se dnes zdaj\u00ed b\u00fdt p\u0159edev\u0161\u00edm estetick\u00e1, m\u011bla \u010dasto zbo\u017en\u00fd r\u00e1mec, kdy\u017e se dostala do pape\u017esk\u00e9ho vlastnictv\u00ed. To d\u00e1v\u00e1 Vatik\u00e1nsk\u00fdm muze\u00edm jin\u00fd emocion\u00e1ln\u00ed n\u00e1dech ne\u017e mnoha sv\u011btsk\u00fdm instituc\u00edm. Jejich historie je neodd\u011bliteln\u00e1 od posv\u00e1tn\u00e9ho \u00fa\u010delu, kter\u00fd formoval v\u011bt\u0161inu jejich sb\u00edrek.<\/p>\n

Sb\u00edrky byly ovlivn\u011bny tak\u00e9 v\u011bdeck\u00fdmi poznatky. Humanist\u00e9, antikv\u00e1\u0159i, architekti a poradci pom\u00e1hali identifikovat, interpretovat a vyzdvihovat v\u00fdznam d\u011bl, kter\u00e1 se dost\u00e1vala do pape\u017esk\u00e9 sb\u00edrky. Vatik\u00e1n neuchov\u00e1val poklady pouze na z\u00e1klad\u011b instinktu. Uchov\u00e1val je d\u00edky studiu. V\u00fdsledkem je, \u017ee muzea zt\u011bles\u0148uj\u00ed rozhovor mezi moc\u00ed a v\u011bd\u011bn\u00edm. Socha nebyla obdivov\u00e1na jen proto, \u017ee byla kr\u00e1sn\u00e1; byla katalogizov\u00e1na, d\u00e1v\u00e1na do souvislost\u00ed a spojov\u00e1na s \u0161ir\u0161\u00edmi p\u0159\u00edb\u011bhy o antick\u00e9m sv\u011bt\u011b a k\u0159es\u0165ansk\u00e9 civilizaci. Tento v\u011bdeck\u00fd rozm\u011br pom\u00e1hal p\u0159em\u011bnit soukrom\u00e9 hromad\u011bn\u00ed v n\u011bco, co m\u011blo bl\u00ed\u017ee ke spr\u00e1v\u011b kultury.<\/p>\n

Snad nejzaj\u00edmav\u011bj\u0161\u00edm aspektem Tesori Pontifici je, \u017ee se tyto soukrom\u00e9 sb\u00edrky nakonec staly ve\u0159ejn\u00fdmi, ani\u017e by zcela ztratily auru exkluzivity. Dnes Vatik\u00e1nsk\u00fdmi muzei ro\u010dn\u011b projdou miliony n\u00e1v\u0161t\u011bvn\u00edk\u016f, p\u0159esto v nich st\u00e1le p\u0159etrv\u00e1v\u00e1 pocit, \u017ee vstupujete do prostoru, kter\u00fd byl kdysi vyhrazen jen n\u011bkolika vyvolen\u00fdm. Toto nap\u011bt\u00ed dod\u00e1v\u00e1 muze\u00edm velkou \u010d\u00e1st jejich jedine\u010dnosti. Jsou celosv\u011btov\u011b proslul\u00e1, a p\u0159esto st\u00e1le d\u016fv\u011brn\u011b spjat\u00e1 s pape\u017eskou histori\u00ed. Jsou p\u0159\u00edstupn\u00e1, a p\u0159esto poznamenan\u00e1 stalet\u00edmi vyb\u00edrav\u00e9ho vkusu. Jsou ve\u0159ejn\u00e1, ale jejich du\u0161e z\u016fst\u00e1v\u00e1 zako\u0159en\u011bna v soukrom\u00e9m sb\u011bratelstv\u00ed.<\/p>\n

Abychom Vatik\u00e1nsk\u00e1 muzea pln\u011b pochopili, mus\u00edme se pod\u00edvat d\u00e1l ne\u017e na jednotliv\u00e1 mistrovsk\u00e1 d\u00edla a vid\u011bt \u0161ir\u0161\u00ed vzor, kter\u00fd je spojil dohromady. Muzea nevznikla pouhou n\u00e1hodou ani anonymn\u00edm institucion\u00e1ln\u00edm pl\u00e1nov\u00e1n\u00edm. Utv\u00e1\u0159ely je touhy, p\u0159esv\u011bd\u010den\u00ed a ambice po sob\u011b jdouc\u00edch pape\u017e\u016f, kte\u0159\u00ed sb\u00edrali s ur\u010dit\u00fdm z\u00e1m\u011brem. Jejich soukrom\u00e1 rozhodnut\u00ed vytvo\u0159ila jeden z nejbohat\u0161\u00edch muzejn\u00edch komplex\u016f na sv\u011bt\u011b. To je skute\u010dn\u00fd v\u00fdznam Tesori Pontifici: nejen skryt\u00e9 poklady pape\u017esk\u00e9ho sv\u011bta, ale soukrom\u00e9 sb\u00edrky, kter\u00e9 se pomalu staly univerz\u00e1ln\u00edm d\u011bdictv\u00edm. V ka\u017ed\u00e9 galerii, na n\u00e1dvo\u0159\u00ed a v ka\u017ed\u00e9 kapli je st\u00e1le patrn\u00fd odkaz t\u011bchto rozhodnut\u00ed, kter\u00fd n\u00e1m p\u0159ipom\u00edn\u00e1, \u017ee Vatik\u00e1nsk\u00e1 muzea nejsou jen m\u00edstem um\u011bn\u00ed, ale i pam\u00e1tn\u00edkem samotn\u00e9ho sb\u011bratelsk\u00e9ho aktu.<\/p>","protected":false},"excerpt":{"rendered":"

The story Private Collections of the Vatican Museums does not begin as a public museum story at all. It begins […]<\/p>\n","protected":false},"author":1,"featured_media":1432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[33],"tags":[],"class_list":["post-1431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-travel-tips"],"_links":{"self":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts\/1431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/comments?post=1431"}],"version-history":[{"count":3,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts\/1431\/revisions"}],"predecessor-version":[{"id":3832,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts\/1431\/revisions\/3832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/media\/1432"}],"wp:attachment":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/media?parent=1431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/categories?post=1431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/tags?post=1431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}