{"id":1434,"date":"2024-09-11T17:23:33","date_gmt":"2024-09-11T17:23:33","guid":{"rendered":"https:\/\/vatican-museums.com\/?p=1434"},"modified":"2026-04-09T10:38:59","modified_gmt":"2026-04-09T10:38:59","slug":"za-michelangelem-necekana-umelecka-dila-ve-vatikanskych-muzeich","status":"publish","type":"post","link":"https:\/\/vatican-museums.com\/cs\/michelangelo\/beyond-michelangelo-unexpected-works-of-art-in-the-vatican-museums\/","title":{"rendered":"Za Michelangelem: Ne\u010dekan\u00e1 um\u011bleck\u00e1 d\u00edla ve Vatik\u00e1nsk\u00fdch muze\u00edch: Za Michelangelem: Ne\u010dekan\u00e1 um\u011bleck\u00e1 d\u00edla ve Vatik\u00e1nsk\u00fdch muze\u00edch"},"content":{"rendered":"

Kdy\u017e si cestovatel\u00e9 p\u0159edstav\u00ed Vatik\u00e1nsk\u00e1 muzea, v\u011bt\u0161inou se jim v mysli vybav\u00ed hned Michelangelo<\/strong>, Sixtinskou kapli a dechberouc\u00ed drama malovan\u00fdch strop\u016f, kter\u00e9 po stalet\u00ed utv\u00e1\u0159ely obraz renesance. Skute\u010dn\u00e9 kouzlo muze\u00ed v\u0161ak spo\u010d\u00edv\u00e1 v tom, kolik toho je\u0161t\u011b obsahuj\u00ed. Za v\u011bhlasem kaple se skr\u00fdv\u00e1 rozs\u00e1hl\u00fd a mnohovrstevnat\u00fd sv\u011bt soch, map, tapiseri\u00ed, fresek a dekorativn\u00edch mistrovsk\u00fdch d\u011bl, kter\u00fd odm\u011bn\u00ed ka\u017ed\u00e9ho, kdo je ochoten nahl\u00e9dnout za hranice zjevn\u00e9ho. Vatik\u00e1nsk\u00e1 muzea nejsou jen pam\u00e1tn\u00edkem jednoho g\u00e9nia. Jsou \u017eivouc\u00edm archivem um\u011bleck\u00fdch ambic\u00ed, politick\u00e9 moci, duchovn\u00ed p\u0159edstavivosti a kulturn\u00ed v\u00fdm\u011bny, kter\u00fd se po generace shroma\u017e\u010foval v sam\u00e9m srdci Vatik\u00e1nsk\u00e1 muzea<\/strong> sb\u00edrky.<\/p>\n

Proch\u00e1zet t\u011bmito galeriemi znamen\u00e1 vstoupit do prostoru, kde se p\u0159ekvapen\u00ed st\u00e1v\u00e1 sou\u010d\u00e1st\u00ed z\u00e1\u017eitku. N\u00e1v\u0161t\u011bvn\u00edk m\u016f\u017ee p\u0159ij\u00edt a o\u010dek\u00e1vat pouze velik\u00e1ny vrcholn\u00e9 renesance, ale brzy se setk\u00e1 s d\u00edly, kter\u00e1 jsou ti\u0161\u0161\u00ed, podivn\u011bj\u0161\u00ed a n\u011bkdy i zapamatovateln\u011bj\u0161\u00ed, proto\u017ee jsou ne\u010dekan\u00e1. Jsou zde m\u00edstnosti, kde staro\u0159\u00edmsk\u00fd mramor p\u016fsob\u00ed t\u00e9m\u011b\u0159 jako \u017eiv\u00fd, chodby, kde se geografie st\u00e1v\u00e1 um\u011bn\u00edm, a komnaty, kde barvy, \u0159emesln\u00e9 zpracov\u00e1n\u00ed a symbolika promlouvaj\u00ed s p\u0159ekvapivou jasnost\u00ed. Tyto m\u00e9n\u011b zn\u00e1m\u00e9 poklady nab\u00edzej\u00ed \u0161ir\u0161\u00ed pochopen\u00ed toho, \u010d\u00edm Vatik\u00e1nsk\u00e1 muzea skute\u010dn\u011b jsou: nikoliv jedn\u00edm mistrovsk\u00fdm d\u00edlem, ale rozhovorem nap\u0159\u00ed\u010d stalet\u00edmi.<\/p>\n

Ne\u010dekan\u00e9 vatik\u00e1nsk\u00e9 poklady za Sixtinskou kapl\u00ed<\/h2>\n

Jedn\u00edm z nejv\u00fdrazn\u011bj\u0161\u00edch p\u0159\u00edklad\u016f je Galerie map, dlouh\u00e1 a prosv\u011btlen\u00e1 chodba, kterou mnoz\u00ed n\u00e1v\u0161t\u011bvn\u00edci zpo\u010d\u00e1tku pova\u017euj\u00ed sp\u00ed\u0161e za pr\u016fchod ne\u017e za c\u00edl. To je chyba. Um\u011bn\u00ed a pozn\u00e1n\u00ed se zde spojuj\u00ed ve velkolep\u00e9 oslav\u011b m\u00edsta. Malovan\u00e9 mapy nejsou jen dekorativn\u00ed, ale p\u0159edstavuj\u00ed cel\u00fd sv\u011bton\u00e1zor, v n\u011bm\u017e se prol\u00ednaj\u00ed krajina, identita a v\u00edra. Jejich \u017eiv\u00e1 mod\u0159, zele\u0148 a zlat\u00e1 st\u00e1le z\u00e1\u0159\u00ed nad hlavou a po st\u011bn\u00e1ch a m\u011bn\u00ed geografii v divadeln\u00ed vizu\u00e1ln\u00ed z\u00e1\u017eitek. V dob\u011b p\u0159ed digit\u00e1ln\u00ed navigac\u00ed vyjad\u0159ovala tato d\u00edla s\u00edlu, zv\u011bdavost a \u0159\u00e1d zp\u016fsobem, kter\u00fd je st\u00e1le hluboce modern\u00ed.<\/p>\n

Nedaleko se nach\u00e1zej\u00ed Rafaelovy pokoje, kter\u00e9 \u010dasto p\u0159itahuj\u00ed pozornost kv\u016fli sv\u00e9mu spojen\u00ed s Raphael<\/strong>, ale i zde se mnoz\u00ed n\u00e1v\u0161t\u011bvn\u00edci soust\u0159ed\u00ed pouze na nejzn\u00e1m\u011bj\u0161\u00ed fresky a p\u0159\u00edli\u0161 rychle pokra\u010duj\u00ed d\u00e1l. M\u00edstnosti si zaslou\u017e\u00ed pomalej\u0161\u00ed \u010dten\u00ed. Jejich slo\u017eit\u00e1 symbolika, elegantn\u00ed architektura a intelektu\u00e1ln\u00ed hloubka odhaluj\u00ed, jak bylo mal\u00ed\u0159stv\u00ed ve Vatik\u00e1nu navr\u017eeno tak, aby nejen zap\u016fsobilo, ale i p\u0159esv\u011bd\u010dilo. Tyto m\u00edstnosti oslavuj\u00ed teologii, filozofii, pr\u00e1vo a poezii a vytv\u00e1\u0159ej\u00ed mal\u00ed\u0159sk\u00fd vesm\u00edr, v n\u011bm\u017e se ideje st\u00e1vaj\u00ed viditeln\u00fdmi. Zat\u00edmco Michelangelo \u010dasto ohromuje fyzickou velikost\u00ed, Rafael sv\u00e1d\u00ed vyv\u00e1\u017eenost\u00ed a jasnost\u00ed a p\u0159ipom\u00edn\u00e1 n\u00e1v\u0161t\u011bvn\u00edk\u016fm, \u017ee um\u011bleckou identitu Vatik\u00e1nu utv\u00e1\u0159elo v\u00edce tv\u016fr\u010d\u00edch hlas\u016f.<\/p>\n

Mezi nezapomenuteln\u00e9 p\u0159edm\u011bty v muze\u00edch pat\u0159\u00ed starov\u011bk\u00e1 socha zn\u00e1m\u00e1 pod n\u00e1zvem Laoco\u00f6n<\/strong>. Tato mramorov\u00e1 skupina zachycuje okam\u017eik agonie, pohybu a odporu s t\u00e9m\u011b\u0159 nemo\u017enou intenzitou. I pro modern\u00edho div\u00e1ka p\u016fsob\u00ed filmov\u011b. Krout\u00edc\u00ed se t\u011bla a emocion\u00e1ln\u00ed s\u00edla d\u00edla odhaluj\u00ed, pro\u010d m\u011blo tak hlubok\u00fd vliv na renesan\u010dn\u00ed um\u011blce, kdy\u017e bylo znovuobjeveno. Nen\u00ed to jen archeologick\u00fd poklad, je to d\u00edlo, kter\u00e9 zm\u011bnilo b\u011bh evropsk\u00e9ho um\u011bn\u00ed. Kdy\u017e p\u0159ed n\u00edm \u010dlov\u011bk stoj\u00ed, ch\u00e1pe, \u017ee Vatik\u00e1nsk\u00e1 muzea nejsou jen o uchov\u00e1v\u00e1n\u00ed kr\u00e1sy, ale o uchov\u00e1v\u00e1n\u00ed d\u011bl, kter\u00e1 prom\u011bnila samotn\u00e9 d\u011bjiny um\u011bn\u00ed.<\/p>\n

Dal\u0161\u00edm ne\u010dekan\u00fdm pot\u011b\u0161en\u00edm je Galerie tapiseri\u00ed<\/strong>, kde tkan\u00e9 obrazy vytv\u00e1\u0159ej\u00ed zcela jinou atmosf\u00e9ru ne\u017e malovan\u00e9 fresky nebo tesan\u00fd k\u00e1men. Gobel\u00edny v sob\u011b nesou jemn\u011bj\u0161\u00ed, ale stejn\u011b silnou p\u0159\u00edtomnost. Jejich textury pohlcuj\u00ed sv\u011btlo zp\u016fsobem, kter\u00fd dod\u00e1v\u00e1 postav\u00e1m a v\u00fdjev\u016fm zvl\u00e1\u0161tn\u00ed bohatost, t\u00e9m\u011b\u0159 jako by se p\u0159\u00edb\u011bhy vyno\u0159ovaly sp\u00ed\u0161e z l\u00e1tky ne\u017e z pigmentu. Tato monument\u00e1ln\u00ed d\u00edla prozrazuj\u00ed luxus a rafinovanost dvorsk\u00e9ho a c\u00edrkevn\u00edho mecen\u00e1\u0161stv\u00ed. Z\u00e1rove\u0148 n\u00e1v\u0161t\u011bvn\u00edk\u016fm p\u0159ipom\u00ednaj\u00ed, \u017ee um\u011bleck\u00e9 \u00fasp\u011bchy ve Vatik\u00e1nu se nikdy neomezovaly pouze na mal\u00ed\u0159stv\u00ed. Textiln\u00ed um\u011bn\u00ed, dnes \u010dasto podce\u0148ovan\u00e9, kdysi st\u00e1lo v sam\u00e9m centru elitn\u00ed vizu\u00e1ln\u00ed kultury.<\/p>\n

Pak je tu pozoruhodn\u00fd Torzo Belvedere<\/strong>, sp\u00ed\u0161e fragment ne\u017e kompletn\u00ed figura, a p\u0159esto jedna z nejvlivn\u011bj\u0161\u00edch soch v cel\u00e9m muzejn\u00edm komplexu. Jej\u00ed nedokon\u010denost je sou\u010d\u00e1st\u00ed jej\u00ed s\u00edly. Zkroucen\u00e9 svalstvo a soust\u0159ed\u011bn\u00e1 energie trupu inspirovaly um\u011blce po cel\u00e9 generace, v\u010detn\u011b samotn\u00e9ho Michelangela. Dokazuje, \u017ee i po\u0161kozen\u00e9 d\u00edlo m\u016f\u017ee m\u00edt obrovskou tv\u016fr\u010d\u00ed autoritu. V n\u011bkter\u00fdch ohledech je je\u0161t\u011b podmaniv\u011bj\u0161\u00ed, proto\u017ee po div\u00e1kovi vy\u017eaduje, aby si p\u0159edstavil, co mu chyb\u00ed. Vatik\u00e1nsk\u00e1 muzea jsou pln\u00e1 takov\u00fdch moment\u016f, kdy se absence st\u00e1v\u00e1 sou\u010d\u00e1st\u00ed um\u011bleck\u00e9ho v\u00fdznamu.<\/p>\n

Pro\u010d vatik\u00e1nsk\u00e9 sb\u00edrky odhaluj\u00ed v\u00edc ne\u017e slavn\u00e9 stropn\u00ed um\u011bn\u00ed<\/h3>\n

Jin\u00e9 p\u0159ekvapen\u00ed se objevuje v m\u00edstnostech v\u011bnovan\u00fdch egyptsk\u00fdm a etrusk\u00fdm staro\u017eitnostem. Mnoz\u00ed n\u00e1v\u0161t\u011bvn\u00edci neo\u010dek\u00e1vaj\u00ed, \u017ee se s t\u011bmito civilizacemi setkaj\u00ed v takov\u00e9 hloubce uvnit\u0159 Vatik\u00e1nu, p\u0159esto jejich p\u0159\u00edtomnost roz\u0161i\u0159uje z\u00e1\u017eitek z muzea mimo k\u0159es\u0165ansk\u00fd a renesan\u010dn\u00ed sv\u011bt. Tyto sb\u00edrky ukazuj\u00ed, jak pape\u017esk\u00e1 muzea rostla d\u00edky \u0161ir\u0161\u00ed fascinaci minulost\u00ed lidstva. Sarkof\u00e1gy, ritu\u00e1ln\u00ed p\u0159edm\u011bty, n\u00e1pisy a poh\u0159ebn\u00ed um\u011bn\u00ed odhaluj\u00ed, jak si starov\u011bk\u00e9 n\u00e1rody p\u0159edstavovaly smrt, bo\u017estv\u00ed, pam\u011b\u0165 a moc. Za\u0159azen\u00edm t\u011bchto kultur se Vatik\u00e1nsk\u00e1 muzea st\u00e1vaj\u00ed nejen n\u00e1bo\u017eensk\u00fdm c\u00edlem, ale i encyklopedick\u00fdm pr\u016fzkumem civilizace.<\/p>\n

Na str\u00e1nk\u00e1ch Pinacoteca<\/strong> nab\u00edz\u00ed dal\u0161\u00ed obohacuj\u00edc\u00ed odbo\u010dku pro ka\u017ed\u00e9ho, kdo je ochoten opustit hlavn\u00ed davov\u00fd proud. V t\u00e9to obraz\u00e1rn\u011b se nach\u00e1zej\u00ed mimo\u0159\u00e1dn\u00e9 obrazy, kter\u00e9 jsou \u010dasto zast\u00edn\u011bny slavn\u011bj\u0161\u00edmi prostory muzea. N\u00e1v\u0161t\u011bvn\u00edci se zde mohou d\u016fv\u011brn\u011bji sezn\u00e1mit s mistrovsk\u00fdmi d\u00edly, ani\u017e by byli nuceni se neust\u00e1le pohybovat. D\u00edla um\u011blc\u016f, jako jsou nap\u0159. Caravaggio<\/strong> a Leonardo da Vinci<\/strong> prohloubit p\u0159\u00edb\u011bh Vatik\u00e1nu jako sb\u011bratele emocion\u00e1ln\u00edho dramatu, technick\u00e9 brilance a zbo\u017en\u00fdch obraz\u016f. V t\u011bchto klidn\u011bj\u0161\u00edch m\u00edstnostech se z\u00e1\u017eitek z muzea st\u00e1v\u00e1 v\u00edce reflexivn\u00edm. M\u00edsto samotn\u00e9 pod\u00edvan\u00e9 zde najdeme atmosf\u00e9ru, ticho a soust\u0159ed\u011bn\u00ed.<\/p>\n

Nem\u011bli bychom tak\u00e9 p\u0159ehl\u00ed\u017eet roli samotn\u00e9 architektury p\u0159i utv\u00e1\u0159en\u00ed emocion\u00e1ln\u00edho rytmu n\u00e1v\u0161t\u011bvy. Schodi\u0161t\u011b, n\u00e1dvo\u0159\u00ed, klenut\u00e9 stropy a zar\u00e1movan\u00e9 v\u00fdhledy p\u0159isp\u00edvaj\u00ed k pocitu, \u017ee Vatik\u00e1nsk\u00e1 muzea jsou koncipov\u00e1na jako sled objev\u016f. Slavn\u00e9 Bramanteho schodi\u0161t\u011b<\/strong>, je nap\u0159\u00edklad mnohem v\u00edc ne\u017e jen praktick\u00e1 struktura. Vytv\u00e1\u0159\u00ed pohyb jako vizu\u00e1ln\u00ed z\u00e1\u017eitek a m\u011bn\u00ed cirkulaci v eleganci. Ve Vatik\u00e1nu mohou i p\u0159echody mezi galeriemi p\u016fsobit um\u011blecky.<\/p>\n

D\u016fle\u017eitost t\u011bchto ne\u010dekan\u00fdch d\u011bl spo\u010d\u00edv\u00e1 v tom, \u017ee navracej\u00ed komplexnost m\u00edstu, kter\u00e9 se p\u0159\u00edli\u0161 \u010dasto omezuje na kontroln\u00ed seznam. Vatik\u00e1nsk\u00e1 muzea nejsou jen m\u00edstem, kam se chod\u00ed na slavn\u00fd strop. Jsou m\u00edstem, kde se d\u011bjiny um\u011bn\u00ed odv\u00edjej\u00ed ve vrstv\u00e1ch, od antiky po renesanci a d\u00e1le, prost\u0159ednictv\u00edm p\u0159edm\u011bt\u016f, kter\u00e9 jsou v\u00fdzvou, pot\u011b\u0161en\u00edm a p\u0159ekvapen\u00edm. Klidn\u011bj\u0161\u00ed mistrovsk\u00e1 d\u00edla \u010dasto z\u016fst\u00e1vaj\u00ed v pam\u011bti nejd\u00e9le, proto\u017ee nebyla o\u010dek\u00e1v\u00e1na. P\u0159ich\u00e1zej\u00ed jako objevy a objev je jedn\u00edm z nejv\u011bt\u0161\u00edch pot\u011b\u0161en\u00ed, kter\u00e9 m\u016f\u017ee muzeum nab\u00eddnout.<\/p>\n

Pro cestovatele to znamen\u00e1, \u017ee nejlep\u0161\u00ed n\u00e1v\u0161t\u011bva je m\u00e1lokdy ta nejrychlej\u0161\u00ed. Vyplat\u00ed se zastavit na chodb\u00e1ch, kter\u00fdmi ostatn\u00ed sp\u011bchaj\u00ed, \u010d\u00edst popisky, pozorn\u011b si prohl\u00ed\u017eet materi\u00e1ly a nechat m\u00e9n\u011b zn\u00e1m\u00e9 m\u00edstnosti, aby utv\u00e1\u0159ely den. T\u00edm se Vatik\u00e1nsk\u00e1 muzea st\u00e1vaj\u00ed bohat\u0161\u00edmi, lid\u0161t\u011bj\u0161\u00edmi a rozs\u00e1hlej\u0161\u00edmi, ne\u017e jak je nazna\u010duje jejich pohlednicov\u00fd obraz. Michelangelo mo\u017en\u00e1 p\u0159itahuje davy, ale du\u0161e muze\u00ed \u017eije tak\u00e9 ve starobyl\u00e9m mramoru, utkan\u00e9m vypr\u00e1v\u011bn\u00ed, malovan\u00e9m zem\u011bpise a zapomenut\u00fdch z\u00e1kout\u00edch kr\u00e1sy. P\u0159ekro\u010dit Michelangela neznamen\u00e1 ho znehodnotit. Znamen\u00e1 to kone\u010dn\u011b pochopit Vatik\u00e1nsk\u00e1 muzea v pln\u00e9 \u0161\u00ed\u0159i, jako m\u00edsto, kde nes\u010detn\u00e1 um\u011bleck\u00e1 d\u00edla nad\u00e1le promlouvaj\u00ed nap\u0159\u00ed\u010d \u010dasem.<\/p>","protected":false},"excerpt":{"rendered":"

When travelers imagine the Vatican Museums, their minds usually rush straight to Michelangelo, the Sistine Chapel, and the breathtaking drama […]<\/p>\n","protected":false},"author":1,"featured_media":3732,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[31],"tags":[],"class_list":["post-1434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-michelangelo"],"_links":{"self":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts\/1434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/comments?post=1434"}],"version-history":[{"count":5,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts\/1434\/revisions"}],"predecessor-version":[{"id":3816,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/posts\/1434\/revisions\/3816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/media\/3732"}],"wp:attachment":[{"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/media?parent=1434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/categories?post=1434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vatican-museums.com\/cs\/wp-json\/wp\/v2\/tags?post=1434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}