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ピオ・クレメンティーヌ美術館

今すぐ予約
今すぐ予約

Vatican Classical Sculpture Rooms

について ピオ・クレメンティーヌ美術館 での バチカン美術館 is one of the most prestigious and important collections of classical sculpture in the world. Founded in the 18th century by Popes Clement XIV and Pius VI, the museum houses an extraordinary array of ancient Roman and Greek sculptures, many of which were discovered during excavations in Rome and surrounding areas. The museum was originally created to showcase the papal collection of antiquities and has since become one of the Vatican’s most visited sections.

The museum is renowned for its stunning galleries, which include some of the Vatican Museums’ most iconic spaces such as the Octagonal Courtyard, home to masterpieces like the Laocoön Group and the Apollo Belvedere. Other highlights include the Hall of the Muses, which features statues of the Nine Muses and the famous Belvedere Torso, and the Round Hall, modeled after the Pantheon, which contains large, impressive sculptures and a magnificent mosaic floor.

The Pio-Clementine Museum offers a comprehensive view of classical art and sculpture, displaying the skill and artistry of ancient craftsmen. It provides visitors with a deeper understanding of the artistic, cultural, and religious influences that shaped Roman and Greek civilizations, making it an essential stop for those interested in the legacy of classical antiquity.

役立つ情報

営業時間

  • 月曜日～土曜日午前9:00～午後6:00（最終入場は午後4:00）。.
  • 毎月最終日曜日：午前9:00～午後2:00まで入場無料（最終入場は午後12:30）。.
  • 休業日日曜日（最終日曜日を除く）、クリスマスやイースターなど特定の宗教的祝日。.

チケット

  • 長蛇の列を避けるため、事前にオンラインでチケットを購入することをお勧めする。.
  • チケットは、待ち時間を減らすために時間指定入場券で予約することができる。.
  • 子供、学生、団体割引あり。.
  • 様々な言語でのオーディオガイドとガイドツアーがある。.

アクセス

The Pio-Clementine Museum is located within the Vatican Museums complex, situated in the Vatican Palace. It is one of the first sections that visitors encounter after entering the museums, positioned along the main museum route. The museum’s galleries, including the Octagonal Courtyard and various other halls, are spread throughout a series of grand rooms within the Vatican’s extensive architectural structure. Its central location makes it easily accessible and a major attraction for visitors exploring the classical art and sculpture collections of the Vatican Museums.

歴史

について ピオ・クレメンティーヌ美術館 is one of the Vatican’s most important collections for understanding how ancient art was preserved, displayed, and celebrated in later centuries. The museum takes its name from two popes—Clement XIV そして Pius VI—whose era of collecting and institutional organization helped shape the Vatican’s identity as a major public museum complex. While the statues are ancient, the idea of presenting them in a coherent, monumental sequence is tied to this later history: turning classical sculpture into a curated narrative about civilization, beauty, and authority.

In these rooms, ancient works aren’t treated as isolated archaeological objects. They are staged as cultural anchors. Portraits, gods, athletes, and mythic scenes build a visual language that later Europe used to define education, taste, and power. The Vatican’s classical sculpture galleries became a reference point for artists, scholars, and travelers who came to Rome to study form and proportion, and to learn how the ancient world represented the human body as both ideal and expressive.

What makes the Pio-Clementine Museum historically significant for visitors today is that it still communicates this “school of looking.” You’re not only seeing famous pieces; you’re stepping into the tradition of Rome as a city where antiquity is continuously re-read. The experience is as much about how the Vatican built a museum culture around classical art as it is about the original ancient creators. In that sense, the museum is a bridge: ancient marble on one side, centuries of collecting and interpretation on the other, with the modern visitor walking between them.

について ピオ・クレメンティーヌ美術館 is one of the Vatican’s most important collections for understanding how ancient art was preserved, displayed, and celebrated in later centuries. The museum takes its name from two popes—Clement XIV そして Pius VI—whose era of collecting and institutional organization helped shape the Vatican’s identity as a major public museum complex. While the statues are ancient, the idea of presenting them in a coherent, monumental sequence is tied to this later history: turning classical sculpture into a curated narrative about civilization, beauty, and authority.

In these rooms, ancient works aren’t treated as isolated archaeological objects. They are staged as cultural anchors. Portraits, gods, athletes, and mythic scenes build a visual language that later Europe used to define education, taste, and power. The Vatican’s classical sculpture galleries became a reference point for artists, scholars, and travelers who came to Rome to study form and proportion, and to learn how the ancient world represented the human body as both ideal and expressive.

What makes the Pio-Clementine Museum historically significant for visitors today is that it still communicates this “school of looking.” You’re not only seeing famous pieces; you’re stepping into the tradition of Rome as a city where antiquity is continuously re-read. The experience is as much about how the Vatican built a museum culture around classical art as it is about the original ancient creators. In that sense, the museum is a bridge: ancient marble on one side, centuries of collecting and interpretation on the other, with the modern visitor walking between them.

もっと見る

レビュー

A Must-See for Fans of Classical Art - John Y.
"The Pio-Clementine Museum was the highlight of my trip to the Vatican Museums. The sculptures are absolutely magnificent, especially the Laocoön Group and the Apollo Belvedere. It’s amazing to see these iconic pieces in person and appreciate the incredible detail. The museum is filled with classical art treasures, and the Octagonal Courtyard is such a beautiful setting. If you love ancient Roman and Greek art, this is the place to be!"
Stunning Collection in Beautiful Surroundings - Lisa K.
"The Pio-Clementine Museum blew me away with its impressive collection of ancient sculptures. Each room is filled with masterpieces, but the Belvedere Torso and the Hall of the Muses stood out for me. I loved how the museum is designed—the Round Hall with its Pantheon-like dome is breathtaking. It’s a quieter part of the museum compared to the Sistine Chapel, so I had time to really take in the art. A must-see for any history or art lover!"
A Journey into Ancient Rome and Greece - Emma S.
"The Pio-Clementine Museum was an incredible experience. The collection of Roman and Greek sculptures is second to none, and the way they’re displayed in these grand halls makes you feel like you’re walking through ancient history. The mosaic floors and the architecture of the galleries are just as impressive as the art. The Laocoön and Apollo Belvedere are masterpieces you won’t want to miss. I highly recommend spending time here during your Vatican visit."

ヒント

Treat sculpture as a “circle, not a snapshot”. In the ピオ・クレメンティーヌ美術館, the best details are rarely visible from one viewpoint. Choose two or three key works and circle them slowly, even if only halfway around. Look first for the overall posture, then for a single detail that changes meaning—hand tension, a twist in the torso, or the way the face reads in shadow. This method makes the section memorable without adding stress or extra walking.

Protect your energy before you reach the Pio-Clementine rooms. The Vatican Museums can drain attention early if you rush, queue, or carry too much. Arrive with a small bag, keep water and essentials manageable, and avoid starting the day in a sprint. When you reach the classical sculpture galleries, you want your best attention available. Even a short, calm pause before entering the Pio-Clementine section can change the quality of what you notice once you’re there.

Use a two-pass plan to beat “museum blur”, First pass: move through the Pio-Clementine rooms at a steady pace to understand what’s where and which sculptures pull you in. Second pass: return to just one room or one statue and look again from a different angle. The second look is where your brain stops labeling and starts seeing. This is especially useful in crowded conditions because it gives you purpose without needing perfect space or silence.

Pair it with a “quiet reset” after the Vatican, After a dense museum visit, your memory can flatten. Build ten minutes of calm into your exit plan: a slow walk outside, a seated break, or a short, quiet route away from the busiest streets. That decompression helps the Pio-Clementine experience stick, so you remember specific forms and impressions rather than only the feeling of being in a crowd.

バチカン美術館のトップ・エクスペリエンス

パパル・アパートメント
八角形の中庭
現代宗教美術コレクション
ボルジア・アパートメント
タペストリーのギャラリー
バチカナのピナコテカ
グレゴリオ・エトルリア博物館
グレゴリオ・エジプト博物館
地図のギャラリー
ラファエル・ルーム
上部へスクロール
ブログバチカン美術館見学のヒント、見どころ、チケット、歴史
全てを見る
アトラクションシスティーナ礼拝堂、ラファエロの間、古代の彫像、タペストリー、地図、庭園
全てを見る

バチカン美術館とシスティーナ礼拝堂

カエサル＝アウグストゥス頭部像-バチカン美術館の地図ギャラリーの壁と天井に描かれた絵画.jpgファスト・トラック入場券予約する

チケット＋ガイドツアー

カッペラシスティナ1バチカン美術館、システィーナ礼拝堂、サン・ピエトロ大聖堂予約する

ローマ・ツーリスト・カード

バチカーニ博物館2.jpgバチカン・シティ・パス予約する